In my practice I am interested in the everyday, the ordinary and the overlooked, providing a source for material. These readymades become components of the work, a single readymade added together to create an object. The readymade materials links to production/manufacturing, my intension is to input labor into these materials, working in methodical and repetitive ways, combining vast numbers of these materials. With the concept of labor my practice evolved to focus more on repetition and accumulation, leading to an interest in form. Repetition often manifests in the form of grids a constant form present in the day-to-day lives of the masses.